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He has genuine chemistry with the CGI blob voiced by himself and the interpretation of Eddie and Venom both being losers who find each other and become two halves of the same whole is endlessly fun to watch. It’s in these moments, including the now-infamous lobster tank dive, where Tom Hardy is clearly having the most fun with the story and the character(s). Instead, the film plays around with the inherent silliness of its concept and the limb-flailing slapstick that would occur if you found yourself taken over by a bossy alien parasite with a point to prove. Venom goes goofier than that, in part because a PG-13 film intended for wide audiences probably wouldn’t be able to penetrate those layers of emotional strife. The Eddie/Venom dynamic of the comics tends to skew darker in tone, delving into the mental impact and co-dependent forces that keep them together, even when it’s bad for both of them. It’s primarily played for laughs – and Venom is much more intentionally funny than it’s given credit for – but it’s also a psychological quandary that proves fertile ground for storytellers and fans alike. Their pseudo-slapstick dynamic melds together well with their blossoming friendship and by the end of the film, Venom is halfway between being Eddie’s life coach and his significant other.
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All of the best scenes in the film center on Eddie Brock (played by Tom Hardy with absolute gusto) and Venom (also voiced by Hardy) as they try to come to terms with one another.
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Venom was advertised as an origin story in the vein of its comic book movie contemporaries but it best succeeds on its own terms, primarily as a bizarre buddy comedy that happens to have a sci-fi action slant.